|
|||||||
| SOUND VIEW
PRESS Artist Dictionaries |
|||||||
| WHO WAS WHO IN AMERICAN ART. Falk's new revised and expanded edition includes more than 65,000 entries in 3 huge volumes! Covers 400 years of artists active in America: 1564-1975. Thousands of biographical references have been consulted to make this the largest and most comprehensive dictionary of American artists ever produced. Additionally, it contains thousands of signatures & monograms of American artists! By acquiring this important two-volume set for your library, we welcome you to the cognoscenti of American art. We are confident that the completeness and accuracy of this set makes it an indispensable acquisition for your library. If you are not satisfied, you may return your set with ten days for a full refund. We stand by our guarantee. Our reference books are not sold in bookstores! They are available only directly from the publisher. -- By Peter Hastings Falk. |
|||||||
| DICTIONARY OF SIGNATURES & MONOGRAMS OF AMERICAN ARTISTS: Colonial Period to Mid 20th Century. 8,000 signature specimens for 3,400 American artists. Six useful indexes include initials, shapes and symbols. Helpful chapter on how to detect fakes and forgeries. (by Falk, 1988) 560 pp. ISBN 0.932087. 04-3 - [Out of Print] | |||||||
| INDEX TO COLLECTIONS OF AMERICAN PAINTINGS. The first comprehensive index of its kind, linking artists to their institutions as well as describing the nature of each collection. (work in progress.) | |||||||
| WHO'S WHO IN ART EXPERTS. The first comprehensive index to all art experts worldwide, complete with qualifications. Thoroughly indexed by artist, style, and subject matter. To be available only on-line at www.artprice.com. If you are an expert, contact us now for a questionnaire. |
|||||||
| INDEX TO NINETEENTH CENTURY
AMERICAN ART PERIODICALS: Imagine this nightmare assignment: You must locate every art magazine published in 19th century America - no matter how rare or how long it takes to find them. Then, you must read every single article in each magazine. And most important, you must take notes every time you come across an artist's name, geographical place, or any type of subject matter! Well, it took more than 20 years, but this extraordinary feat was accomplished by noted art librarian, Mary M. Schmidt, and her team of graduate students. For the first time, every article in every issue of every art magazine that appeared in nineteenth century America in thoroughly indexed! This massive volume is made up entirely of two indexes. In the CITATIONS section, the magazines appear in alphabetical order, issue by issue. There are more than 27,000 citations for these magazines. Researchers will find descriptions - some short, some longer - of the articles within each issue. Some magazines lasted longer than others; therefore, some contain a much larger quantity of data than others. Each article in each magazine has its own unique citation number. The INDEX lists the names of artists, authors, and the other primary subjects that are found in the main CITATIONS. For example, when an artist's name is the main cross reference, it will be followed by a column listing all the basic subjects in various magazines that relate to that artist - and each of these subjects is tagged with the cross-reference number of the magazine from which it is directly derived. An essential set for every art reference library and every individual serious about their research. -- By Mary M. Schmidt, |
|||||||
| Sound
View Press Artists' Works-The Exhibition Record Series |
|||||||
|
These indices document the details on hundreds of thousands of works exhibited by artists at the major Salon-type exhibitions in America. "This series is the most important basis for art historical research in late 19th to mid 20th century American art." - Prof. Wm. H. Gerdts, Graduate Program, City Univ. of New York. |
|||||||
| ART INSTITUTE OF CHICAGO: 1888-1950. Documents 56,700 works from 166 exhibition catalogues of the American Annual, the Chicago Annual, and the Watercolor Annual. 1117 pp. ISBN 0-932087-11-6 - $149.00 |
|||||||
| BOSTON ART CLUB: 1873-1909. Over 15,000 entries by 3,000 artists. 480 pp. ISBN 0-932087-18-3 - $64.00 |
|||||||
| CORCORAN GALLERY: 1907-1967. 336 pp. ISBN O-932087-13-2 [out of print] |
|||||||
| NATIONAL ACADEMY OF DESIGN:
1901-1950. Documents 27,600 works from the Spring and Winter annuals. 624 pp. ISBN O-932087-09.4 - $89.00 |
|||||||
| PENNSYLVANIA ACADEMY OF THE FINE ARTS. | |||||||
|
Vol. 1: 1807-1870 (486 pp.; ISBN 0.932087-05-1) documents 24,000 works. $89.00 Vol. 2: 1876-1913 (612 pp.; ISBN O-932087-05-1) documents 21,750 works. $89.00 Vol. 3: 1914-1968 (544 pp; ISBN 0. 932087-07-8) documents 21,900 works. $89.00 |
![]() |
||||||
| 3 Volume set. $237.00 (Save $30!) | |||||||
| SALONS OF AMERICA: 1922-1936. 10,707 works by 3,128 artists. 242 pp. ISBN 0, 932087-15-9 - $49.00 |
|||||||
| SOCIETY OF INDEPENDENT ARTISTS:
1917-1944. Documents over 27,300 works by 6,860 artists. Important secessionist group 610 pp. ISBN 0,8155-5063.4 - $64.00 |
|||||||
| WHITNEY MUSEUM OF AMERICAN ART:
1918-1989.13,249 entries. 468 pp. ISBN 0-932087-12-4 - $64.00 |
|||||||
|
CARNEGIE INSTITUTE: THE LATEST ADDITION TO THE SERIES IS HERE! Companion Volume:: |
|||||||
| Sound View Press The Conservation Series |
|||||||
|
These books are for the public as well as professional conservators and researchers. |
|||||||
| GILDED WOOD, Conservation and
History. (1992) First comprehensive examination of gilded wood. By a team of 36 international experts. Profusely illustrated. 432 pp. ISBN 0-932087-21-3 - $89.00 |
|||||||
| GUIDE TO ENVIRONMENTAL PROTECTION OF
COLLECTIONS. (1991) How to protect any collection, all objects, all media. Acclaimed as the leading book on this subject. 272 pp. ISBN 0.932087-16.7 - $39.00 |
|||||||
| AMERICAN ARTISTS' MATERIALS,
Vol. I: Suppliers Directory, 19th Century. (by A. Katlan, 1987) Lists 3,700 art supply shops in NYC and Boston. 134 photos of stencil marks and labels. 476 pp. ISBN 0-8155-5064.2 - [Out of Print] |
|||||||
| AMERICAN ARTISTS' MATERIALS,
Vol. II: A Guide to Stretchers, Panels, Millboards, and Stencil Marks. (by A. Katlan, 1992) Shows all U.S. stretcher patents, 1849-1949. All support materials thoroughly examined, hundreds of illustrations. Includes directories of the 19th c. art suppliers of Philadelphia. and Baltimore. 544 pp. ISBN O-932087-19-1 - $64.00 |
|||||||
| Sound View Press Exhibition Monographs and Catalogues Raisonne |
|||||||
| Raisonnés on Rediscovered
American Artists Our special research projects about less-known but important American artists often result in publications. These monographs are produced in conjunction with museum or gallery exhibitions. |
|||||||
| FREDERICK TRAP FRIIS Peter Hastings Falk Researched and written for the retrospective at Shannon Fine Arts, New Haven, Conn., Oct. 1990. Swedish-born Frederick Trap Friis [1865-1909] was an accomplished Impressionist painter who trained in Europe, came to New York in 1890, and settled in New Bedford, Mass. The quality of his collection, recently discovered, stands as a refreshing testament to the high achievements of those unheralded artists who have slipped through the cracks of art history. 94 illustrations, 1 in color. 40 pp., paperback $12.00 postpaid. A limited quantity remains. |
|||||||
| FRANK S. HERRMANN, A Separate Reality Peter Hastings Falk. Published for the retrospective at the White Plains Museum, Jan. 1988. Herrmann [1866-1942] was an American who was best known in Germany because he spent much of his artistic career there. This biography traces the development of his style from a Beaux-Arts academic realism to Impressionism, to the "New Objectivity." He was a founding member of two important groups of the German avant-garde centered in Munich: the New Secession of German Artists and SEMA. His close friendships with Paul Klee and Alfred Stieglitz are illuminating. After WWI he returned to the U.S., but only allowed his work to be exhibited a few times, in New York, shortly before his death. 39 illus., 4 in color. 32 pp., paperback ISBN 0-932087-00-2 $12.00 postpaid. A limited quantity remains. |
![]() |
||||||
| CLIFFORD JACKSON, Of Landscapes
and Symphonies Peter Hastings Falk. Published for the retrospective at the Adirondack Center Museum, 1989. Wayman Adams considered Jackson [ 1924-1985] as his best student. His works from the 1960s to the early 1980s boldly reassert the Post-Impressionist tradition in American landscape painting. 39 illus., 10 in color. 32 pp., paperback ISBN 0-932087-08-6 $12.00 postpaid. A limited quantity remains. |
|||||||
|
FREDERICK MACMONNIES Limited edition. Price: $89.00 |
![]() |
||||||
| GEORGE MARINKO, Pioneer American
Surrealist Peter Hastings Falk. Published for the memorial exhibition at the John Slade Ely House, New Haven, Conn., Nov. 1989. Marinko [1908-1989] was one of America's great pioneers in surrealism during the 1930s. Essay discusses the range of his works from surrealism to abstraction, and his series of totemic sculptures and masks. 53 illustrations. 16 pp., paperback ISBN 0-932087-10-8 $12.00 postpaid. A limited quantity remains. |
|||||||
| RUDOLF SCHEFFLER Peter Hastings Falk. Published for the retrospective at the Florence Griswold Museum, Old Lyme, Conn., Apr. 1989. Scheffler [1884-1973] was one of the finest architectural artisans of the 20th century. However, until this exhibition, his paintings - strong examples of American Post-lmpressionism - remained a private and unseen side of his life in art. 55 illus., 8 in color. 48 pp., paperback ISBN 0-932087-06-X $12.00 postpaid. A limited quantity remains. |
|||||||
| NATALIE VAN VLECK, A Life in
Nature and Art Peter Hastings Falk. Published for the Flanders Nature Center, Nov. 1992. Van Vleck [1901-1981] was, during the early 1920s, among the very earliest of our country's modernist women artists. Despite emerging as a very talented student of Max Weber, by the early 1930s she locked all of her modernist works in a closet which was never opened until after her death. This fascinating life story, also contains a checklist of 193 known oils, watercolors, pastels, and prints. 31 illustrations in black & white. 22 pp. paperback. ISBN 0-932087-22-1 $12.00 postpaid. A limited quantity remains. |
|||||||
|
The following monographs are OUT OF PRINT. It is possible that you may find a copy at a bookseller specializing in rare and out of print art books. These monographs may sometimes be located at the larger fine arts libraries of colleges, universities, art museums, and larger public libraries. ELIZA DRAPER GARDINER, Master of the Color Woodblock MILTON J. BURNS, Marine Painter MINERVA J. CHAPMAN ELEN DAY HALE LESTER G. HORNBY, Painter-Etcher AARON SOPHER, Satirist of the American Condition |
|||||||
| Orders - Contact | |||||||
|
Orders: Shipping & handling costs: Address: Sound View Press is a Publishing Division of Artprice.com |
|||||||